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Project Alpha and the
Spoon Benders
Written
by Alan Bellows on April 16th, 2007 at 7:14 pm
In
the late 1960s, a young Israeli man named Uri Geller gained a
substantial amount of attention and fame following a collection of
remarkable demonstrations on US and British television. In full view of
astonished audiences, Uri was seemingly able to manipulate metal with
his mind. Spoons softened in his hands, keys curled at the gentle
stroke of his fingers, and he was able to cause compasses to wobble at
his cajoling. He was also known to restart stopped wristwatches by
merely holding them in his hands. According to Geller, these feats were
the products of sheer will, a phenomenon known as psychokinesis.
In
addition to his mental metallurgy and magnetism, the dashing young
Israeli demonstrated potent psychic abilities, most notably in his
ability to reproduce drawings which he had never seen. A volunteer
would draw a picture while Uri was not watching, and Geller would use
his gifts to attempt to reproduce the image. Although his recreations
were not always completely accurate, they were of sufficient similarity
to provoke astonishment from onlookers.
Geller's
exploits in the 1970s significantly raised awareness of paranormal
science worldwide, and since that time many have gone on to mimic his
feats. Though there are throngs of skeptics– many of whom present
compelling evidence refuting his claims– some of the handiwork
exhibited by Geller and his spoon-bending contemporaries remains a
mystery.
Most
Americans became acquainted with the charismatic Uri Geller following a
series of high-profile television and magazine appearances in the late
1960s and early 1970s. As the cameras looked on, spoons softened and
became almost taffy-like in his fingers. Often his audiences were
awestruck when a spoon's head separated from its body and clattered to
the floor. An early Uri Geller TV appearanceAn early Uri Geller TV
appearanceWhen he reanimated wristwatches on television, he further
dumbfounded observers by urging viewers to each hold their own broken
wristwatch if they had one, allowing him to act as the psychic conduit.
Much to their amazement, some of the viewer's watches reportedly
started ticking again.
By
1972, the media frenzy surrounding Geller finally drew serious
attention from the scientific community as supporters and skeptics
began to polarize. In order to better understand Uri's methods, the
scientists at the Stanford Research Institute (SRI) asked him to
participate in a series of impartial experiments. Uri eagerly agreed.
For five weeks, researchers Harold E. Puthoff and Russell Targ made the
controversial character the target of their scientific scrutiny as he
was subjected to a host of laboratory adventures.
Following
some informal demonstrations by Geller, Stanford's first test revolved
around a number of drawings which had been made prior to the
experiments and placed in nested envelopes. Uri was asked to recreate
each selected image on his own paper. Some of the drawings had been
examined by the researchers before entering the experiment room with
Uri; some were double-blind, where not even the researchers knew what
was within each envelope before it was opened; and some of the images
were brought in by outside consultants, sealed in their envelopes
before arriving at the facility. Before most of these experiments
Geller expressed a measure of insecurity about his abilities, and in
fact he declined to respond about 20% of the time due to lack of
confidence in his response. But for those he did complete, he displayed
a shocking level of accuracy. His representations were crude, but they
frequently bore an unmistakable resemblance to the original, though
sometimes reversed.
Samples
of Gellar's drawings (right) and the researchers' (left)Samples of
Gellar's drawings (right) and the researchers' (left)The Stanford
researchers also conducted tests to measure Geller's ability to detect
materials without seeing them, a skill known as dowsing. In each of
these experiments, he was presented with a box of ten numbered aluminum
canisters and asked to determine which one of them contained an object.
Before they were presented to Uri a third party placed the object in a
random canister and then shuffled the cans' positions. The objects used
were ball bearings, magnets, room-temperature water, and sugar cubes.
Geller was not allowed to touch the cans or the box, otherwise the
experiment would be listed as a failure. The protocol indicated that he
was to eliminate the cans one by one by pointing to them or calling out
their number until only two remained, then he was required to guess
which of the remaining two held the contents by calling out its number
and writing it down. Later this method was criticized as needlessly
complex, leaving too many gaps where trickery might be used.
At
first Uri spent a lot of time waving his hands over the canisters
before selecting each one for removal, but as as the tests progressed
he seemed to gain confidence until he eventually would simply call out
the number of the correct canister upon entering the room. In fourteen
tests, there were two occasions that he declined to guess, but in all
of the other twelve trials he made the correct selection. Puthoff and
Targ were understandably intrigued by their subject's performance.
There were no detectable signs of deception, yet the odds of correctly
guessing in all twelve tests was one in 10^12, or one in a trillion.
Another
test where Geller showed startling accuracy was one which made use of a
standard six-sided die in a metal box, both of which were provided by
SRI. The die was placed in the box and shaken, and Uri was asked to
state which face would be showing when the lid was opened. During the
ten tests he declined to respond on twice, but in the other eight he
was 100% accurate in his predictions.
Geller
attempting to manipulate a one gram weight on a scaleGeller attempting
to manipulate a one gram weight on a scaleUri's metal manipulation
demonstrations were somewhat less impressive. Though he had previously
claimed the ability to bend metal objects without making physical
contact, he was unable to demonstrate this in the laboratory. When
allowed to lightly touch the spoons, forks, and rods with his hands,
they did indeed bend; but such evidence was useless due to the
inability to determine the amount of force Geller was using. Another of
the psychokinetic tests proved moderately successful, this one
involving a one gram steel weight on an electric scale. Without
touching the weight or scale– which were both covered by a glass dome–
Uri was able to cause measurable changes in a scale's reading.
The
resulting SRI report was published in the science journal Nature in
1974. The researchers weren't quick to draw conclusions, and they
largely dismissed the psychokinesis results as inconclusive, but they
felt that he had performed successfully enough that the phenomenon
warranted further scientific study. Puthoff and Targ coined the term
"Geller-effect" to describe his remarkable displays of apparently
paranormal powers.
Geller's
charisma and talents won him regular appearances on television and in
the print media over the next few years, and he was soon celebrated as
a supernatural superstar. With the Stanford research seemingly
corroborating his claims, the skepticism surrounding him began to erode.
Soon
another man appeared who could also demonstrate these remarkable feats
before audiences of his own. His name was James Randi, otherwise known
as The Amazing Randi. He, too, appeared to possess the astonishing
ability to soften spoons with a gentle touch. But Randi made no claims
to supernatural powers. In fact, he was a stage magician and a
scientific skeptic. He prepared the spoons in advance by bending them
back and forth until the neck was sufficiently weakened. He also
convincingly tweaked keys and cutlery, quickly bending them with his
hands as he directed the viewers' attention elsewhere. After performing
each trick he explained to his audience how he accomplished the simple
illusions. Randi was careful to point out that his demonstrations were
not proof positive that Geller was a fraud, but rather that trickery
was a more reasonable explanation than supernatural powers.
The
Amazing RandiThe Amazing RandiIn 1973 The Amazing Randi received a
telephone call from the producers of The Tonight Show with Johnny
Carson who had booked Geller as an upcoming guest. Johnny Carson
himself had spent some time as a stage magician, so he was skeptical of
Geller's claims and he wanted Randi's assistance in sidestepping any
shenanigans. Randi suggested that the producers present Geller with an
assortment of their own unprepared spoons, aluminum cans, and sealed
drawings. When Uri walked out on stage, he was uncharacteristically
nervous as his gaze fell on the collection of objects. When prompted to
demonstrate his skills later in the show, he was unable to proceed,
complaining that he was not feeling "strong" on that particular evening.
The
incident had little effect on Uri's popularity, and over the next few
years Geller amassed a fortune. He claimed that his wealth was largely
the result of dowsing services performed for major oil, gold and
mineral mining companies, but at least a portion of his riches were the
fruit of his fame. He remained a fixture of the popular media, and he
continued to astonish audiences. Others people around the world began
to claim similar abilities, and spoon-bending shortly became a staple
of psychic demonstrations.
In
the late 1970s, the McDonnell Laboratory for Psychical Research in St.
Louis began an organized effort to locate and study individuals who
could convincingly demonstrate the Geller effect. James Randi contacted
the researchers and gave them advice on how to avoid being duped, but
the scientists did not welcome his skeptical input. During the early
phases of the testing many of the applicants were disqualified for
failing to demonstrate their skills in the lab, but two young men– Mike
Edwards and Steve Shaw– appeared to be authentic. In a series of
publicized experiments the two men contorted an assortment of cutlery,
caused objects to levitate, coaxed compasses to quiver, and recreated
drawings which were provided in sealed envelopes. It seemed that
science had vindicated Uri Geller and his contemporaries yet again.
Left
to right: Shaw, Edwards, and RandiLeft to right: Shaw, Edwards, and
RandiIn 1981, after four years of testing at the McDonnell labs,
Edwards and Shaw held a press conference in New York City with Discover
magazine. The pair of famous psychics made an announcement which left
their audience agape. Mike Edwards told the crowd, "The truth is, we
are not psychics. We are magicians." Steve Shaw added amidst the
murmuring, "Yes, for the past four years we've been fooling people."
They went on to explain that they were participating in Project Alpha,
an effort launched by James Randi to illustrate that modern paranormal
research was so blinded by bias that it was incapable of detecting
deception.
Edwards
and Shaw demonstrated many of their methods to the assembled press,
mostly consisting of basic sleight of hand. In some of the laboratory
spoon-bending tests, they explained how they secretly switched the tags
between various spoons so the researchers' angular measurements before
and after the experiments would show detectable changes in each spoon's
shape. In others, they handled one spoon in plain sight to direct the
experimenters' attention away from their other hand, which was manually
bending another spoon in concealment. Later, the bent spoon would be
presented as evidence of success. They also employed small magnets for
many of their illusions, and they even used their breath to make
certain objects move. In nearly every instance, the recommendations
Randi had made to McDonnell labs at the outset would have caught the
deception.
Some
of the paranormal researchers were so desperate to reject these
confessions that they accused Edwards and Shaw of being real psychics
who were lying about their true abilities. The field of parapsychology
was crippled by the news of the ruse, and many of the researchers
involved were discredited by Project Alpha. Its goal had not been to
embarrass anyone, but rather it was a social experiment used to
demonstrate that parapsychologists are susceptible to deception and
self-deception, regardless of their intelligence and training. Project
Alpha beautifully illustrated the human tendency to seek only that
evidence which supports one's preconceptions, a phenomenon known to
psychology as confirmation bias.
Uri
Geller on the Tonight ShowUri Geller on the Tonight ShowThough he was
not directly discredited by the events, Uri Geller's fame faded over
the following years. In 1988 a British businessman named Gerald Fleming
offered to donate £250,000 to charity if Geller could execute a
spoon-bend under controlled laboratory conditions, but Geller never
responded to the invitation. Geller maintains to this day that his
talents are genuinely supernatural, though he acknowledges that some of
his feats can be mimicked using simple stage magic or natural
phenomena. For instance, a stopped watch will often become temporarily
reanimated after being held in the hands for several minutes due to
movements and body heat. However not all of Geller's SRI demonstrations
have been fully explained, such as his double-blind remote drawing
tests, or the die-in-a-box.
The
James Randi Education Foundation (JREF) currently offers a reward of
one million US dollars to any psychic who can convincingly demonstrate
their paranormal powers under controlled conditions. According to the
rules, both he and the party accepting the challenge must agree in
advance regarding what constitutes a success or a failure. Though over
one thousand applicants have made the attempt, none have successfully
collected the reward. So far Uri Geller has not taken this opportunity
to prove himself, nor have the other high-profile self-proclaimed
psychics such as Sylvia Browne or John Edward.
These
days Geller can occasionally be coaxed into contorting some tableware
or wobbling a compass, but he seldom performs for crowds. Recently some
video evidence has appeared which seems to show Uri utilizing
magicians' tricks– such as his use of what appears to be a false thumb–
but no concrete evidence of fraud has yet been uncovered.
Geller
and his Geller effect CadillacGeller and his Geller effect
CadillacToday Geller directs much of his energy into his family and
creative pursuits. He is an accomplished artist, and his creative
juices have been wrung out upon the pages of newspapers and magazines
for years. He also designs clothing and jewelry. He gives occasional
interviews, and he can sometimes be seen driving around in his 1976
Cadillac he calls the "Geller effect." Its outer surfaces are bristling
with bent tableware, each of which came from the mouth of a celebrity
or historical figure. He has stated that he intends to drive it around
the Middle East in an effort to bring peace to the region.
Given
their unwillingness to subject themselves to controlled laboratory
testing, Geller and his spoon-bending contemporaries are likely to
remain filed in the interesting-but-unlikely drawer for some time to
come. Were it not for the handful of as-yet-inexplicable
demonstrations, it would be easy to disregard such illusionists
entirely. Whether Geller's gifts spring from an inner well of creative
deception or from the the realm of magic, unicorns and fairies, it is
certain that he is a highly talented and charismatic individual. His
exploits have demonstrated beyond a doubt that the human mind possesses
incredible powers of manipulation. All of this assumes, of course, that
there is indeed a spoon.